Portfolio – Page 3 – Tina Hassannia

Mostly Sunny

The feminist mystique of Underworld and Resident Evil

How Jim Jarmusch Works

Why Him?

Tampopo

The (almost) lost history of Canada’s cinematic birthplace

CineIran festival aims to expand perception of Iranian film

The Stairs: This poignant documentary will change how you look at addiction and street life

Slamming Colour on the Canvas: A Conversation with German Piano Maestro Hauschka

TIFF Dispatch: Their Finest, Maudie, Colossal, Catfight

TIFF 2016: Ana Lily Amirpour on Bad Batch

TIFF 2016: Nocturama, Girl with All the Gifts, Things to Come

TIFF 2016: Lion, Mean Dreams, Planetarium, Norman

TIFF Dispatch: La La Land, (Re) Assignment, Colossal

TIFF Dispatch: Window Horses, The Salesman, Aquarius

The organized chaos that made nirvanna the band the show a cult favourite

10 Must-See Movies for Music Lovers at the 2016 Toronto International Film Festival

TIFF Dispatch: Personal Shopper, Manchester by the Sea, Paterson

Moonlighting as a Lover: 25 Years of Chantal Akerman’s Nuit et Jour

Angry Indian Goddesses

A Star Is Role-Played: How Dungeon Master Spencer Crittenden Became the Lord of Harmonquest

A Tale of Love and Darkness

The Ultimate Meta-Performance: Kate Lyn Sheil on Kate Plays Christine

LO AND BEHOLD, the Internet, and the Movies

Gleason

Equity

The Infiltrator

Pete’s Dragon

In Elevator to the Gallows, Miles and Malle Found their Grooves

Dial R For Rohmer