Portfolio
Nerve
Reviews
Café Society
Reviews
Ice Age: Collision Course
Reviews
Stranger Things: Drenched in a veneer of ’80s nostalgia
Reviews
Our Little Sister: The Japanese Gilmore Girls
Reviews
Closet Monster
Reviews
Why motherhood is not for everyone and shouldn’t have to be
Essays
Mike and Dave Need Wedding Dates
Reviews
An appreciation: How Abbas Kiarostami’s films demystified Iran for Western audiences
Essays
Weiner doc offers unfettered look into the life of a scandal-plagued politician
Reviews
Central Intelligence
Reviews
X-Men: Apocalypse
Reviews
Alice Through the Looking Glass
Reviews
Sofia Coppola’s Marie Antoinette at 10
Essays
Neighbors 2: Sorority Rising
Reviews
High-Rise
Reviews
Interview: Raving Iran’s Susanne Regina Meures
Articles
Mother’s Day
Reviews
Whit Stillman’s Barcelona: What It Means To Be A Good Person
Essays
Afternoon
Reviews
No Home Video: On Women-Directed Films
Articles
New Directors/New Films 2016: Evolution, Cameraperson, and Happy Hour
Reviews
New Directors/New Films 2016: Talking to Babak Anvari about Under the Shadow
Articles
Colin Low, Don Owen and how the NFB’s Unit B changed Canadian cinema
Articles
The women in Abbas Kiarostami’s cinema
Essays
All About Eve: The Lady Eve at 75
Essays
Flaws and Fascinations: On the making of Diamond Tongues and the art of unlikeability
Articles
Three essential movies about coming of age in Canada
Articles
Canadian filmmakers snuck into NASA for conspiracy flick Operation Avalanche
Articles
Straight Outta Trauma: The struggles and triumphs of 2015’s music films
Essays
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